Figure 1
 Performance Documentation, ‘Figure 1′, Lisa Skuret, 2013  ‘Exploration Eyes: Retinal Scan Path Tracking in a Floating
‘Figure 1’ was a performance commission for the opening night of 3-part solo exhibition, Floating World, by Kaz. Through a combination of Skype and live performance, installation, and text, ‘Figure 1’ worked to open a fictional dimension in, and in response to, the exhibition. I also contributed an additional text to the publication which accompanies the exhibition. Part 1: Opening night: Thursday 6 June, 6 – 9pm Part 2: Opening night: Thursday 20 June, 6 – 9pm Part 3: Opening night: Thursday 4 July, 6 – 9pm S.E. Barnet will be reader in residence during the exhibition period, Kingsgate Gallery |
Evolution Isn’t Fast Enough
Evolution Isn’t Fast Enough is ongoing and acts as an open question engaging worldmaking in the present.
As part of project development, I have been training over the past four years in Group Analysis and Organisational Psychotherapy and as a teacher of Yoga Philosophy and Practice. I am long term practitioner of both technologies. Read more
Evolution Isn’t Fast Enough
Evolution Isn’t Fast Enough is ongoing and acts as an open question engaging worldmaking in the present.
As part of project development, I have been training over the past four years in Group Analysis and Organisational Psychotherapy and as a teacher of Yoga Philosophy and Practice. I am long term practitioner of both technologies. Read more
Learning in Public
TheParallelShow #4: a day long performance research group at Tate Britain initiated by Frans Van Lent (Willem de Kooning Akademie, Netherlands).
Learning in Public was the strategy for my project and is also the title of this text report published in TheParallelShow, ed. Frans van Lent, Mondrian Fund and Municipality of Dordrecht, Jap Sam Books, 2018. Read more
Learning in Public
TheParallelShow #4: a day long performance research group at Tate Britain initiated by Frans Van Lent (Willem de Kooning Akademie, Netherlands).
Learning in Public was the strategy for my project and is also the title of this text report published in TheParallelShow, ed. Frans van Lent, Mondrian Fund and Municipality of Dordrecht, Jap Sam Books, 2018. Read more
Listening Through a Beam of Intense Darkness
I have two commissioned texts: ‘Four Figures (low resolution) and a Technique of Extraction’ and ‘Messy Listening’ in the artist publication Listening Through a Beam of Intense Darkness. The publication launch was part of Fig-2 (48/50: Seth Ayyaz) at ICA London with the generous support of Arts Council England. Read more
Listening Through a Beam of Intense Darkness
I have two commissioned texts: ‘Four Figures (low resolution) and a Technique of Extraction’ and ‘Messy Listening’ in the artist publication Listening Through a Beam of Intense Darkness. The publication launch was part of Fig-2 (48/50: Seth Ayyaz) at ICA London with the generous support of Arts Council England. Read more
Messy and Material: A speculative listening installation at ICA London
Comissioned as part of Fig-2, I installed a speculative laboratory within the ICA building in London. A research event located somewhere between an experiential group, a live score, and a performance that drew from interdisciplinary and multimodal methods of ‘listening’. Read more
Messy and Material: A speculative listening installation at ICA London
Comissioned as part of Fig-2, I installed a speculative laboratory within the ICA building in London. A research event located somewhere between an experiential group, a live score, and a performance that drew from interdisciplinary and multimodal methods of ‘listening’. Read more
Full of Noises
Listening to buildings, building listening machines, and writing objects
An event somewhere between an artist’s talk, a performance, and a group exercise. Lisa Skuret will install a fictional, temporary research lab in the Art Gene building at Full of Noises.
Read more
Full of Noises
Listening to buildings, building listening machines, and writing objects
An event somewhere between an artist’s talk, a performance, and a group exercise. Lisa Skuret will install a fictional, temporary research lab in the Art Gene building at Full of Noises.
Read more
A Call from the Library
Building a future library through the possibilities of listening and sound, the work was generated live by ‘listening to’ and ‘playing’ a building, a concept, utopian project and space of knowledge production. The score was a constellation which included the building, gesture, algorithm, instructions and live text. Read more
A Call from the Library
Building a future library through the possibilities of listening and sound, the work was generated live by ‘listening to’ and ‘playing’ a building, a concept, utopian project and space of knowledge production. The score was a constellation which included the building, gesture, algorithm, instructions and live text. Read more
Composing Differences at MoMA PS1
A week long research project and events programme organized in collaboration with MoMA PS1, and e-flux. The project brought together artists, curators, and researchers from France and the United States who establish new art platforms, explore tactics of knowledge production that promote the circulation of knowledge, and experiment with art as an agent of social change. Read more
Composing Differences at MoMA PS1
A week long research project and events programme organized in collaboration with MoMA PS1, and e-flux. The project brought together artists, curators, and researchers from France and the United States who establish new art platforms, explore tactics of knowledge production that promote the circulation of knowledge, and experiment with art as an agent of social change. Read more
Configuring the Potential
Configuring the Potential – Commission for Parasol Unit in London which expanded from a work that I made for DRAF London. For this iteration, I invited a Daf and Ney player, a Flutist, a Cellist, and an Electronic Ouija-Board Operator to join me in a live collective reading and playing of the Parasol Unit Foundation, building architecture, and the Merlin James exhibition temporarily housed within. Read more
Configuring the Potential
Configuring the Potential – Commission for Parasol Unit in London which expanded from a work that I made for DRAF London. For this iteration, I invited a Daf and Ney player, a Flutist, a Cellist, and an Electronic Ouija-Board Operator to join me in a live collective reading and playing of the Parasol Unit Foundation, building architecture, and the Merlin James exhibition temporarily housed within. Read more
Audio-fictions
Five sound pieces that draw on and interweave thinking from fields of knowledge including physics, neuroscience, psychology and philosophy. Read more
Audio-fictions
Five sound pieces that draw on and interweave thinking from fields of knowledge including physics, neuroscience, psychology and philosophy. Read more
Sleeps: a document of collective intimacy
I was invited by Frans Van Lent to contribute a 10 minute recording to this co-operative sound work together with a group of internationally located artists and researchers including Annie Abrahams, Susana Mendes Silva, Sarah Boulton, Elia Torrecilla, and Martine Viale.
Read more
Sleeps: a document of collective intimacy
I was invited by Frans Van Lent to contribute a 10 minute recording to this co-operative sound work together with a group of internationally located artists and researchers including Annie Abrahams, Susana Mendes Silva, Sarah Boulton, Elia Torrecilla, and Martine Viale.
Read more
The 10 Minutes After Speaking Aloud for the First Time Today
The 10 Minutes After Speaking Aloud For the First Time Today is located somewhere between live performance, sound installation, nāda yoga practice, 1:1, group composition, and an open gesture of care in which everything is considered as material.
Departure points for the work include a question spoken aloud on the political agency of Nāda or the Yoga of Sound. Read more
The 10 Minutes After Speaking Aloud for the First Time Today
The 10 Minutes After Speaking Aloud For the First Time Today is located somewhere between live performance, sound installation, nāda yoga practice, 1:1, group composition, and an open gesture of care in which everything is considered as material.
Departure points for the work include a question spoken aloud on the political agency of Nāda or the Yoga of Sound. Read more
UMBIGO Magazine #77 ‘Lisa Skuret: Holding Pattern’
UMBIGO Magazine #77 features a text ‘Lisa Skuret: Holding Pattern’ by Frans Van Lent on my practice and recent work. Read more
UMBIGO Magazine #77 ‘Lisa Skuret: Holding Pattern’
UMBIGO Magazine #77 features a text ‘Lisa Skuret: Holding Pattern’ by Frans Van Lent on my practice and recent work. Read more
Dark (Trees) 1989-2012
One of four texts circulating around a materiality and physicality of thinking.
Spoken text used in performance Configuring the Potential at Parasol Unit in London.
Extract from: Dark (Trees) 1989-2012, Lisa Skuret Read more
Dark (Trees) 1989-2012
One of four texts circulating around a materiality and physicality of thinking.
Spoken text used in performance Configuring the Potential at Parasol Unit in London.
Extract from: Dark (Trees) 1989-2012, Lisa Skuret Read more
Interview for La Biennale de Momon
Quantum villages, psychophysical holding, the political dislocation of Biennales and open acts of care.
Interview around my work Holding Pattern (2021) Read more
Interview for La Biennale de Momon
Quantum villages, psychophysical holding, the political dislocation of Biennales and open acts of care.
Interview around my work Holding Pattern (2021) Read more
Holding Pattern
A live installation bookable 1:1 with Lisa Skuret via La Biennale de Momon website. Holding Pattern (2021) is, at the same time, a durational installation and an open gesture of care in which everything is contemplated as material. Read more
Holding Pattern
A live installation bookable 1:1 with Lisa Skuret via La Biennale de Momon website. Holding Pattern (2021) is, at the same time, a durational installation and an open gesture of care in which everything is contemplated as material. Read more
Evolution Isn’t Fast Enough: Communal Materials
The initiation of new major funded project: Evolution Isn’t Fast Enough. The three project strands act as probes into ways and forms of thinking that might be produced through working with skills, ideas and methods that are of questionable value in the current economic climate. As a project, Evolution Isn’t Fast Enough is ongoing and acts as an open question engaging worldmaking in the present. Read more
Evolution Isn’t Fast Enough: Communal Materials
The initiation of new major funded project: Evolution Isn’t Fast Enough. The three project strands act as probes into ways and forms of thinking that might be produced through working with skills, ideas and methods that are of questionable value in the current economic climate. As a project, Evolution Isn’t Fast Enough is ongoing and acts as an open question engaging worldmaking in the present. Read more
Location: The 10 Minutes After Speaking Aloud for the First Time Today
Situation: The 10 Minutes After Speaking Aloud for the First Time Today
Location: Hand-held, 4-Channel Surround Sound, 5th of May 2020, London
Equipment: Zoom H2 Recorder Read more
Location: The 10 Minutes After Speaking Aloud for the First Time Today
Situation: The 10 Minutes After Speaking Aloud for the First Time Today
Location: Hand-held, 4-Channel Surround Sound, 5th of May 2020, London
Equipment: Zoom H2 Recorder Read more
Vision Forum London
Supported by Linköpings University in Sweden, the London-based research group was composed of artists, curators, theorists and a medical GP. As part of our process, we consulted with experts on ‘time’ from a number of disciplines. For example, during a ten-day Vipassana silent meditation retreat, a Shamanic journey weekend, and gardening at the home of Julian Barbour, theoretical physicist. Read more
Vision Forum London
Supported by Linköpings University in Sweden, the London-based research group was composed of artists, curators, theorists and a medical GP. As part of our process, we consulted with experts on ‘time’ from a number of disciplines. For example, during a ten-day Vipassana silent meditation retreat, a Shamanic journey weekend, and gardening at the home of Julian Barbour, theoretical physicist. Read more